
Three
features combine to make
Fingal's Cave on Staffa
perhaps the best known of
all caves.
Its
struture is unique. Nowhere
else is there a sea-cave
formed completely in
hexagonally-jointed basalt.
To this the size, the
sounds, the colours, and the
remarkable symmetry of this
227-foot cavern; and by
Nature's gift of fractured
columns forming a crude
walkway just above
high-water level, allowing
exploring visitors to go far
inside.
Secondly,
the impact of the cave on
all those who enter it, and
especially on those who do
so alone, is likely to be
remembered for life. Sir
Walter Scott put it into
words for us:
"…one of the most
extraordinary places I
ever beheld. It
exceeded, in my mind,
every description I had
heard of it …composed
entirely of basaltic
pillars as high as the
roof of a cathedral, and
running deep into the
rock, eternally swept by
a deep and swelling sea,
and paved, as it were,
with ruddy marble,
baffles all
description."
And
thirdly the evergreen
popularity of Mendelssohn's
"Hebrides Overture (Fingal's
Cave)" provides a continuous
stirring reminder of this
wonder of the world.
The
question "How was Fingal's
Cave formed?" is often
posed. Eminent visitors have
seriously asserted that it
must, because of its
reg
ularity and because it
points exactly at Iona, have
been hollowed out of the
island by hand. In fact the
answer is straightforward.
Since the layer of rock made
up of columns would all have
been laid down at one time
it follows that when the
tilting occurred there would
have been pressure above the
present site of the cave,
and a fissure would have
been forced open directly
below, where sea now surges
in. The violent action of
huge waves that would have
struck the island during
storms over thousands of
years developed the fissure,
undermining dozens of
columns, to create the
opening we marvel at today.
The origin
of the name 'Fingal's Cave'
is wrapped in myth.
Around 250
A.D. Finn MacCumhaill, or
Fingal, was possibly an
Irish general who had a band
of faithful warriors - a
Celtic parallel to King
Arthur and his Round Table.
Fingal is supposed to have
been the father of Ossian,
traditional bard of the
Gaels.
Gaels
migrated into Scotland from
Ireland until the Norsemen
began their raids on the
Scottish coast, and the
stories of Fingal would
doubtless have come across
too. Soon he became revered
in Scotland and, boosted by
the Ossianic heroic verse
and songs, his name was a
natural choice to assign to
this dramatic and
awe-inspiring cavern.
In
1829, on 7th August, Felix
Mendelssohn visited Fingal's
Cave. With his friend
Klingemann, Mendelssohn set
out on the newly introduced
paddle steamer service to
sail round Mull calling at
Iona and Staffa, returning
down the Sound of Mull to
Oban. The day was wild and
all the passengers were ill.
Klingemann tells of the
arrival at Staffa:
We
were put out into boats
and lifted by the
hissing sea up the the
pillar stumps to the
celebrated Fingal's
Cave. A greener roar of
waves surely never
rushed into a stranger
cavern - its many
pillars making it look
like the inside of an
immense organ, black and
resounding, and
absolutely without
purpose, and quite
alone, the wide grey sea
within and without.
Conditions
were so bad that the little
craft had only reached
Tobermory by nightfall, and
Mendelssohn can hardly have
enjoyed seeing Fingal's Cave
since he was so seasick.
However the visit to Staffa,
and the sight and sound of
the Atlantic swell tumbling
into the Cave, made a
profound impression on him.
The theme in the
illustration, which he later
developed into the
ever-popular Hebrides
Overture, occurred to him
immediately. He was just 20
years old.
Last updated
08/01/2010